construir é destruir é construir —pdf
“Over time, the landscape has taken an increasingly important position in a body of work that has always focused on the historical conditions of construction/ interpretation and reception/interpretation of the subjects it explores. The body, which is rarely depicted in explicit terms, is part of a totality in which house and landscape are both content and container, expression of materials and forms, recipients and producers of the language that interprets them and spurs them to take on new meanings. This body generally belongs to a spectator whom the artist sees, since the planning stage of every work, as an integral/casual element in her pieces: a natural but aware figurant and user of the spaces those pieces create and occupy. ”
Texto de João Pinharanda.
124 páginas, EDP Foundation | Electricity Museum, 2009
“Over time, the landscape has taken an increasingly important position in a body of work that has always focused on the historical conditions of construction/ interpretation and reception/interpretation of the subjects it explores. The body, which is rarely depicted in explicit terms, is part of a totality in which house and landscape are both content and container, expression of materials and forms, recipients and producers of the language that interprets them and spurs them to take on new meanings. This body generally belongs to a spectator whom the artist sees, since the planning stage of every work, as an integral/casual element in her pieces: a natural but aware figurant and user of the spaces those pieces create and occupy. ”
Texto de João Pinharanda.
124 páginas, EDP Foundation | Electricity Museum, 2009